Dealing with ideas of behavior, surveillance, and power structures, this installation constructed during Miami Basel 2012 for Mighty Tanaka gallery and again at Muriel Guepin Gallery in NYC, consists of a park bench on astroturf- inviting the viewer to have a seat and take in the 6 foot doily on the wall reading "Be Good for Goodness Sake", accompanied by two security cameras squared directly at the bench.
The viewer is confronted with the fact that they are being filmed, questioning personal behavior and how it changes when observed. Addressing the "eye in the sky" and offering the possibility that religion and omnipresent gods have been replaced with a physical and technological presence- one that truly does know "when you've been bad or good, so..."